Men and Mask

Masquerades from different cultural regions of the Igbo area photographed by G. I. Jones in the 1930s.

Masquerades representing fierce animals and mythological beasts, and often a mixture of human and animal traits, emphasise humanity’s connection with the animal and natural world which also serves to tap into the primal animal energy existing within people. The imitation of women also serves a similar purpose as both a way to tap into a specific personal trait and to police and monitor that particular section of society and nature. By appropriating the virtuous aspects of animals, the masker defines the bounds and limits of the manifestation of animal energy in the community and in people, the masks work to have that energy directed to where and when it may be useful like in times of warfare, or to prevent animal attacks. By representing women, men enforce the power to channel female energy as they feel appropriate, at the same time acting out on curiosity and out of admiration of women all while being hidden behind a mask.