Near Nnewi

Entrance gate and walls with relief of a farmer's compound at Nnewi (noted as "Entrance to a compound of IGBO farmer's house near NEWI"), northern Igbo area, c. 1938. Photo: Edward Duckworth. Pitt Rivers Museum.

Ụ̀banị̀

"Water play Bonny For Oko Jumbo" – Jonathan Adagogo Green (Ibani photographer). 1895-1905. British Museum.

Bonny was a powerful coastal state and major port during the slave and palm oil trade. Bonny, Ibani, known as Ụ̀banị̀ in the Igbo interior, set on trading expeditions into the creeks with dozens of canoes holding up to 120 people each. During the slave trade, a group of Bonny slaving canoes could reportedly carry back up to 2000 people from the interior. The creeks were major highways for trade. The Ụ̀banị̀ people brought European cloth and other goods such as gin, pomade, and other European-made drinks to the traders in the interior.

Ụ̀kwà

"At the Akquete [Akwete] Market" by Jonathan Adagogo Green, an Ibani (Bonny) photographer, 1895-1905. British Museum. The Ndoki (which Akwete is a part), Asa, and Omuma area is collectively referred to as Ụ̀kwà, which apparently means wealth.

Before the 20th century, this area was a major market area including the Ohambele, Ohanku, Azumini, and Akwete markets that served as meeting points for Igbo groups and coastal middlemen, especially the Ubani or Ibani (of Bonny Island) who brought up European goods to be traded.

Òmenàlà

Symbol of Ala, the Earth Mother, among the Eda Igbo, present-day Abia or Ebonyi State. P. A. Talbot, c. 1920s.

Most Igbo people in the past did not perceive themselves as belonging to a religion. The split between culture and religion did not exist. All practices were viewed as duty. This view of duty, compulsory rites that place tradition and service and reverence to ancestors over belief itself, still exists in the kola nut rite, ịche ọjị, for example, which could've been classed as a religious rite.

Interview of an Ọ̀kọ̀nkọ̀ priest born in c. 1880s Umuopara

This is likely Nwa Agụ, in Umuahia, the leopard Ọ̀kọ̀nkọ̀ mask worn by high ranking men as the emblem of the society. The costume's chequers represent leopard spots. The masker is signing (nsibidi?). Photo: G. I. Jones, c. 1930s. MAA Cambridge.

Uwaga Okeanya, aged c.90 (an Ọ̀kọ̀nkọ̀ priest), in Ogbodiuumwu [Ogbodiukwu?], Ụmụọpara, 12 August 1972