Ọ̀kọ̀nkọ̀ Tolls

An Ekpe masquerader in Uzuakoli, present-day Abia State. Photographed by G. I. Jones, 1930s. MAA Cambridge.

Ọ̀kọ̀nkọ̀ members controlled important roads in the eastern Igbo area. British imperial interests ran against this system.

Passing by Abruki, which had, however, to be " dashed " in the usual way, we arrived in the evening at Omo-pra [Ụmụ̀ọpara?], the last mile or two into the town being more like an avenue in England, shaded by splendid trees, than a wild roadway in Africa. […] Under a lowering sky, and in a, slight drizzle of rain, we left Omo-pra early the next morning[.]

Interview of an Ọ̀kọ̀nkọ̀ priest born in c. 1880s Umuopara

This is likely Nwa Agụ, in Umuahia, the leopard Ọ̀kọ̀nkọ̀ mask worn by high ranking men as the emblem of the society. The costume's chequers represent leopard spots. The masker is signing (nsibidi?). Photo: G. I. Jones, c. 1930s. MAA Cambridge.

Uwaga Okeanya, aged c.90 (an Ọ̀kọ̀nkọ̀ priest), in Ogbodiuumwu [Ogbodiukwu?], Ụmụọpara, 12 August 1972

Ọ̀kọnkọ̀

An Okonko masquerade in Umuahia photographed by G. I. Jones, 1930s. MAA Cambridge.

Okonko is the form of Ekpe society in many southern Igbo areas. Likely from Arochukwu, it became the main masking and governing institution in the Umuahia area where every male was expected to go through the rite of ịkpụ ụlọ, the Okonko initiation and the start of education in Okonko. It is used in the burials of prominent elders, and apart from in special occasions like Iri ji, Okonko processions usually take place at night. In the past, Okonko membership was used to secure business and trading ties.
Okonko itself is split into grades, a member may rise up the grades and in rank as they acquire more knowledge of Okonko. There are several types of masks worn by members according to their rank. Okonko is headed by a president in each community.
Okonko is part of the wider Ekpe complex which stretches from the centre of the Igbo area to the Southern Cameroons.

Boy from Umuahia

A boy with chalk patterns on his body, Umuahia, Eastern Nigeria, ca. 1925. Shot by Emily Godfrey. USC Digital Library.