An Igbo man from Agukwu Nri decorated with what appears to be ùlì, a semi-permanent dye from a plant and a system of symbols of the same name. Photographed by Northcote Thomas, c. 1910-11. MAA Cambridge.
An Igbo man from Agukwu Nri decorated with what appears to be ùlì, a semi-permanent dye from a plant and a system of symbols of the same name. Photographed by Northcote Thomas, c. 1910-11. MAA Cambridge.
A woman and child from Agukwu Nri, photographed by Northcote Thomas, 1910-11. Colourised Ukpuru 2018.
This is a woman and child from Agukwu Nri taken in 1910-11. The colonial appointed anthropologist Northcote Thomas made several volumes on the colonial examination of Igbo society. Among anthropological work, the 'side' material were outtakes like this which didn't make it to publishing.
These are three separate photos, MAA Cambridge. This is the photo that was published in Northcote Thomas' Anthropological Report on the Ibo-speaking Peoples of Nigeria, vol. I.
The woman's name and the child's name may have been recorded by Thomas, but it has not been made public yet. For more information see: [Re:]Entanglements: N. W. Thomas – an accidental artist? and [Re:]Entanglements: Who was N. W. Thomas?
You can see how the 'no-smiling' convention of old photography plays here, it may also have further connotations considering this is a colonial work made primarily for colonial dissection. There are many other example like this. In addition to that, many of the candid-looking photos taken outside of the makeshift studios were planned and staged ahead of Northcote Thomas (and hence other colonial-era photographers) taking photographs.
How does the contrast between these 'outtakes' and the published image come across, what is the reaction to seeing both and possibly realising how manipulated colonial images can be?
Nri Obalike, the Eze Nri from Uruoji who was the Eze Nri from 1889–1935. Nri Obalike was Eze Nri during the height of British colonial imposition into the north-central Igbo area, he was the Eze Nri who was made to abrogate the laws of Nri which went against British colonial interest, and also the first Eze Nri to leave Nri as he was compelled to do by the British. The Eze Nri is seen here around 1910-11, photographed by Northcote Thomas who spent some time studying the Igbo which was a job given to him by the colonial regime for the purpose of efficiently implementing indirect rule.
This photo is originally black and white and was digitally coloured by Ụ́kpụ́rụ́, 2018. (Northcote described the Eze Nri as wearing a blue gown, but this interpretation uses brown, although it's not unlikely that the gown pictured could be different.)
For more information see here.